Ten steps that keep stage and audience apart

Authors

  • Luciana Magiolo Escola Superior de Artes Célia Helena (ESCH)

DOI:

https://doi.org/10.59418/olhares.v2i1.24

Keywords:

Improvisation, Dramatic play, Theater play, Keith Johnstone, Frank Totino

Abstract

Improvisation and dramatic play as a procedure for the discovery of significant resources in the field of acting/actor reception/spectator. The text shares the experience in the Workshop of Improvisation by Frank Totino held in July 2010, at the School of Arts Célia Helena, while pointing some reflections on the contemporary improvisation.

References

MAGIOLO, Luciana Cristina. A criação coletiva como caminho para o desenvolvimento de uma dramaturgia nacional. Dissertação de Mestrado na Escola de Comunicação e Artes da Universidade de São Paulo – ECA, 2005.

PAVIS, Patrice. Dicionário de teatro. São Paulo: Perspectiva, 2005.

PESSOA, Fernando. Obra poética. São Paulo: Nova Aguilar, 1997.

PUPO, Maria Lúcia de Souza Barros. In: prefácio de RYNGAERT,

Jean-Pierre. Jogar, representar. São Paulo: Cosac Naify, 2009.

Published

2015-07-08

How to Cite

Magiolo, L. (2015). Ten steps that keep stage and audience apart. Olhares, 2(1), 20–27. https://doi.org/10.59418/olhares.v2i1.24