IMPROVISATION, INTUITION E INSTANT

Authors

  • Daves Otani

DOI:

https://doi.org/10.59418/olhares.v11i1.236

Keywords:

improvisation, scenic composition, active analysis, Bachelard, intuition and instant

Abstract

In this reflection, I propose to weigh the fertile moment, a creative instant of improvisation, a fundamental experience for the performer. This thought about practice was built from my own experiences as an actor, although always under collective laboratories experiences, powerful path to scenic creation. Inspired by the book “The intuition of the instant” by the French philosopher Gaston Bachelard, in dialogue with the researches of the performing arts Constantin Stanislavski e Eugenio Kusnet, among others, and first pointed out in the doctoral research, it has its first steps in investigations carried out based on the scene creations of “Boa Companhia”, a theatrical research group that’s I had work since in 1992 and lasted until 2017.

Author Biography

Daves Otani

Ator e professor. Coordenador de graduação e pós-graduação lato sensu em Direção e Atuação da Escola
Superior de Artes Célia Helena (ESCH). É graduado em Artes Cênicas (1992/ Unicamp), Mestre (2005)
e Doutor (2012) em Artes da Cena pela mesma universidade. É professor de Interpretação, improvisação,
jogos e pedagogia teatral desde 2010 na ESCH, onde compôs as equipes de implantação do curso de
Licenciatura em Teatro e do Mestrado Profissional em Artes da Cena. Orienta projetos de lato sensu e stricto
sensu. Pesquisa a improvisação como procedimento de composição da cena.

Published

2025-01-23

How to Cite

Otani, D. (2025). IMPROVISATION, INTUITION E INSTANT. Olhares, 11(1), 79–85. https://doi.org/10.59418/olhares.v11i1.236